When I finished writing Framed to Death, the first thing I did…okay the second after celebrating typing The End…was start working on the outline for book five in the Scrap This series. I always enjoy the first week after completing a book as I’m contemplating the different twists that could occur in Faith’s life. What will happen in her personal life? How about her professional life? How about her role/standing in the community with her role as the go-to-girl when someone has been wrongly accused? How does Faith, or someone in Eden, have ties to victim in the book? Will Faith’s sleuthing cause friction and heartaches in her relationships? These are usually the first questions I ask before I start working on the motivation for the crime, and the suspects in the story. I have to know what’s going on with Faith’s life, and in her community, first and from that point brainstorm a few ideas on what the catalyst for the crime.
I have tried plotting a book by deciding on how the murder would happen and where (plus, I always have two strong suspects but I don’t know which one it will be until the end of book), but the story didn’t really come together It felt too clinical, as I was relating everything to the murder and it took away the personal feel that I love about traditional/cozy mysteries. For me, I needed an underlying theme to focus on for the book to have the necessary ‘heart’ to connect Faith, and the reader, to the story.
It’s always a fabulous day when I have all the answers to my questions and can start outlining the book. I had found just the perfect idea for the book and started working on the outline, happy with how the plot and subplot were interconnecting. There was a bump or two I still needed to smooth out, but I knew I’d work it out once I started writing the actual book. My wonderful editor returned Framed to Death so I put the new book aside and began work on Framed (I must say I love…capital LOVE…editing time).
As I drove to the grocery store on Friday, a scene popped into my head for the new book. Usually that is wonderful, but this time the scene had nothing to do with the book I planned to write. This was a new idea. A different setting. Different key secondary characters. Different theme. Different motive. Different future, and hope, for Faith. And today on my way home from the auto repair place, I ‘saw’ the murder with two different scenarios on the when and how it could happen in the story. What is an author to do? And, also had to admit to myself that the new idea worked so much better with the working title.
Dare I start on this new path rather than stick with the old? I have a plan. It’s a good plan. But, this new one excites me with the future it holds for Faith, the simple…yet complexity…of the motivation of the killer, and most importantly the opportunity to show a truth I believe in strongly. Can I be brave enough to write this new idea? I put a little bit of me into every book, I believe every writer does, but I’ve always made sure what I included wasn’t too personal and didn’t give away too much of me.
Maybe it’s time I did?
Maybe, it’s time I did.