Today on the Self-Rescue Princess, I’m having a guest blogger introduce you to the art of in Trompe l’oeil.
by Sybil Johnson
The next book in my Aurora Anderson Mystery Series, A PALETTE FOR MURDER, features a trompe l’oeil (pronounced “Tromp Loy”) class. That means “trick the eye” or “fool the eye”. It’s any painting or design intended to create the illusion of a three-dimensional object. Those clouds on ceilings in Vegas casinos and faux finishes such as marble and bricks fall into this category. To get a feel for what else can be done, here are some masterful 3-D illusions using chalk on pavement by various artists: ://www.boredphttpanda.com/5-most-talented-3d-sidewalk-chalk-artists/
Go ahead, check them out. I’ll wait.
Good, you’re back. Amazing, right? My favorite is Ice Age.
While working on PALETTE, I was reminded that I’d bought a pattern book and wood for a much simpler project, a cherry pie on a stool, years ago. Yep, years ago. I decided now was the time to work on this project. I thought I’d take you along on my journey into trompe l’oeil.
Here’s what I started with, a pattern/instruction book by Peggy Decker and an unpainted wood side table:
I started by staining the wood. The instructions said to use Minwax Polyshades, Gloss Finish, in Pecan. It’s a polyurethane varnish with the stain in the product. I’d never used the product or even stained anything before, so I approached it with some trepidation. I pulled on my big girl pants and worked away. It took me all of 30 minutes to screw it up. Okay, it was a little longer than that, but not by much.
When the table dried, the top was a mess, not smooth at all. I thought I’d read the instructions carefully, but turns out I didn’t really. Luckily, wood is fairly forgiving so I stripped the top using Citristrip, sanded it a bit and I was good to go again. This time, I made sure I read and reread the instructions.
The next step was applying the pattern using graphite and basecoating with DecoArt White acrylic paint. I was a little worried about the acrylic painting adhering to the Polyshades, but it worked out okay. In between coats of white, I used a bit of paper torn from a brown paper bag to “sand”. Yep, a good old paper bag from the grocery store. It’s rough enough to smooth the paint a bit, but not so rough that it takes the paint off.
Here it is after this step:
Next came a coating of light gray followed by the stripes on the cloth, painted in FolkArt Rose Chiffon. Liner work is not my favorite thing to do. I’ve seen brushes at conventions that have two brushes on one handle, that produce two parallel lines. I don’t have one of those, but I decided it wouldn’t be hard to make my own. I taped together two 10/0 liner brushes and voila! I have my own double brush.
This is where I am so far on the project.
Doesn’t look terribly exciting yet, I know. Projects never do at the beginning. Next time I’ll be working on the pie at the center of the design. Stay tuned.
Sybil Johnson wields pen and brush at her home in Southern California where she writes the Aurora Anderson Mystery Series (FATAL BRUSHSTROKE, PAINT THE TOWN DEAD and, soon, A PALETTE FOR MURDER) published by Henery Press.