Craft · Holiday · How To

Wine Bottle Christmas Tree

For Christmas in July, I thought I’d share how I made my wine bottle Christmas tree. It’s a quick craft (well, it takes me less time now that I have done a few) and is a great way to have a tree out during this time of the year without having to dig one out from the attic or wherever you store your holiday decorations.

Supplies:

  • Green Wine bottle
  • 651 Vinyl: White for tree and various colors for ornaments, and gold for star
  • Wine bottle lights (multi-color)

6026FC46-0F69-4073-A89D-4732D26A1FA1The first step is finding the perfect wine bottle. I have been known to choose a wine based on the color and shape of the bottle. Sometimes it’s been good tasting wine, other times not so much because of course one of the steps is emptying the bottle and I do that by drinking it. This shape is perfect for the project as it’s the right size for the Christmas tree decal, a lovely shade of green for a tree, and it’s wide enough for the lights to settle into bottle.

The next step is finding a Christmas tree design. I use an SVG that is available on Design Space. The design I picked is easy to weed, place on the bottle, and has enough space between the branches to add some ornaments (which are also on Design Space).E7B9D547-1988-4D78-A385-79B932C3B81A

Now that I have all the pieces cut, I use transfer tape to get the tree from the backing sheet onto the bottle. For the star and ornaments, I just peel those off the backing sheet and place them on the bottle without using transfer tape. This works because of how small the pieces are. The decal size for the tree is 4 inches wide by 6 inches long, and the ornaments were 1 inch long (based on the tallest one as the design is with three), and the star was 1 1/2 inches long.

For those not familar with using vinyl, weeding is when the area of the vinyl that isn’t needed for the design is pulled away from the backing sheet. After that, transfer tape is placed on the design, and you rub the transfer tape down so the vinyl sticks to the tape. Most of the time, crafters will use a vinyl scraper tool to rub over the design and make it stick to the tape.

Now that decal is on the trasfer tape, I place the top of the tree onto the bottle and keep the remainder off the decal off the bottle by curling the tape up. I smooth/press the decal onto the bottle and work my way down, pressing and peeling the decal from the tape one set of branches at a time. One time I tried going from the bottom to the top to place the decal and found it didn’t work as well for me and the vinyl crinkled a bit when I was applying it. It’s also helpful with curved designs to make cuts on the tape (without cutting the design) so the tape can “bend/curve” more easily over a round surface. Once your tree is on the bottle, decorate it however you like or just leave it unadorned.

Last step is placing the wine bottle lights into the tree. You can use a solid color but I prefer multi-colored lights. The hardest part of the lights can be unwrapping them as they are usually wrapped pretty tight in the box they come in. When I’m putting the lights into the bottle, sometimes I’ll bunch some of the wire together so the lights are closer together. I also use the wooden handle of a skewer to arrange the lights in the bottle if I don’t like how they’ve “settled”. Just be careful not to poke the wire with anything sharp. Then I place the top on the bottle and turn on the switch. A lighted Christmas tree!

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Books · Craft · mystery · Writing

Release Day: Not A Creature Was Stirring

It’s here! Release day! Not A Creature Was Stirring is the first book in my new series featuring Merry Winters, a crafterpreneur who specializes in all things Christmas.

notacreaturewasstirringEmpty nester Merry Winters loves three things: Christmas, crafting and her family. To regain purpose and joy, Merry hits the road to a Christmas vendor event with her furry sidekick Ebenezer in her new mobile crafting sleigh, aka an RV.

But it soon turns into the nightmare before Christmas when Merry unwraps her Scrooge of an ex-husband’s body in one of the RV’s compartments. Add to that his missing winning lottery ticket believed to be stashed somewhere in the RV, leading the homicide detective and Merry’s stepdaughter to believe Merry is the one whodunit.

With visions of prison dancing in her head, will Merry be able to solve this Christmas calamity before she’s locked away?

I’ll be on a blog tour from January 21-Feb 3 2019. Here’s where you can find me:

January 21 – Carla Loves To Read – REVIEW

January 22 – Carstairs Considers – REVIEW

January 22 – Ruff Drafts – SPOTLIGHT

January 23 – Mallory Heart’s Cozies – REVIEW

January 23 – Celticlady’s Reviews – SPOTLIGHT

January 24 – Socrates Book Reviews – REVIEW

January 24 – Readeropolis – AUTHOR INTERVIEW

January 25 – Teresa Trent Author Blog – SPOTLIGHT, INDIVIDUAL GIVEAWAY

January 25 –  Island Confidential – SPOTLIGHT

January 26 – Laura`s Interests – REVIEW

January 27 – Cozy Up With Kathy – REVIEW, AUTHOR INTERVIEW

January 28 – A Wytch’s Book Review Blog – REVIEW

January 28 – Babs Book Bistro – SPOTLIGHT

January 29 – Escape With Dollycas Into A Good Book – REVIEW, INDIVIDUAL GIVEAWAY

January 29 – The Pulp and Mystery Shelf – SPOTLIGHT

January 30 – The Book Decoder – REVIEW

January 30 – Reading Is My SuperPower – GUEST POST, INDIVIDUAL GIVEAWAY

January 31 – Brooke Blogs – SPOTLIGHT

January 31 – Mystery Thrillers and Romantic Suspense Reviews – SPOTLIGHT

February 1 – View from the Birdhouse – SPOTLIGHT

February 1 – MJB Reviews – REVIEW

February 2 – I’m All About Books – SPOTLIGHT

February 3 – Melina’s Book Blog – REVIEW

February 3 – A Blue Million Books – GUEST POST

Stop by my tour spots to learn more about me, Merry, and also to enter into a giveaway.

Books · Craft · Excerpt · Scrapbooking

A Scrapping Moment from Masked to Death

masked-to-death-cover-frontSince May is National Scrapbooking Month, I’m sharing a small scrapbooking moment from Masked to Death.

Excerpt:

Ronnie’s confession shook me. I felt off-kilter. A scrapbooking class was being held on deck six, so I headed there, needing to clear my mind while I figured out what to do. Scrapbooking calmed me and centered my spirit. I knew this trip would rev up some anxiety, so I bought a travel planner. It was more portable than a scrapbook, yet the same techniques were used for decorating it. Instead of pictures, words were the main focal point. I had brought colored pencils and an array of travel stickers for decorating the pages.

I spotted a crew member pushing a cart loaded down with cruise-themed scrapbooking supplies and followed. Other women and a few men joined our parade to the lounge area in the back of the ship.

“Find a spot while I set up.” The young woman began sorting through the packages of products and stacking them by theme onto a table.

I spotted Garrison sitting at a table in the back, flipping through a book. When I sat down, he closed the leather book about the size of an 8×8 album. The cover was embossed. I tried reading the script font, but he covered the writing with his forearm.

“Here to scrapbook or just looking for some peace and quiet to read?” I asked.

“I’ve wanted to learn some new techniques and now was the perfect time.”

“You and Bob didn’t have anything special planned for this morning?”

“Odessa stopped by this morning to tell Bob the captain wanted to meet with him.”

“About what?”

“I’d rather not know, so I kissed Bob goodbye and told him I’d be here. I’m sure it has something to do with John. I wonder where Ronnie is. She had said she’d meet me here.”

“When did you talk to her?” I doodled in my travel journal.

“At breakfast. Why?”

“Curious,” I said. “No other reason. She might have lost track of time or something unexpected came up.” The captain had issued a gag order. Ronnie said to stay quiet. And here I was blabbing—or almost blabbing, which was just as bad. “This probably isn’t the wedding you dreamed of.”

“The event meant more to Odessa than us, so we caved on pretty much everything. Our only sticking point was no alcohol at the event out of respect and love for Ted, and yet she had the champagne flowing freely, and now we also have John Roget to contend with. I’m not looking forward to him and Odessa coming face to face.”

“He’s stayed away so far.”

“That’s true. Maybe he only came to spend time with Claire and not to stop the wedding. John is a hard one to figure out.”

“He isn’t the only one.”

Garrison’s eyebrows rose. “Do tell.”

masked ad

Craft · Disney Layouts · Scrapbooking

Preparing for a Crop: Page Kits

May is National Scrapbooking Month, so I thought I’d share my process of putting together page kits before a crop retreat. Usually, I’d just pick a project to work on and pack up all pictures, embellishments, and paper that would work for it. I also bring a nice selection of colored cardstock, and a huge amount of white and black as those are my go to colors for matting or the base of a layout.

In April, I attended a crop where we had a limited amount of space for supplies so I decided to put together page kits. I completed so many pages that it will now be my go-to method for cropping away from home. I also liked the fact it cut back on the trips I had to make to and from the car, and setting up, as I brought fewer items.

I placed all of  my Disney paper and embellishments, any scrapbooking bling that would work for the album onto my cropping table and started matching them to my pictures. I wanted to make a second page for a previous layout, so I took out that layout to make sure the papers I chose complemented it. Since there were more pictures than space on the 12×12 pattern paper, I used a Flip Flap to gain extra picture space.

 

I placed all my Disney paper and embellishments onto my scrapbooking table Next, I pulled out different types of embellishments and scraps of pattern and laid them on the page until I found a combination I liked.

If I really liked the structure of a page, I snapped a photo on my cell before I packaged it up in a 2 gallon Ziplock bag. Since I didn’t want to interrupt my kit making, I wrote down any titles or embellishments I wanted to make on a sticky note and put it on the kit. Completed packet

 

Craft

Year of Crafting Edition 1: Week 1-10

This year, I vowed to complete one craft (or one stage for longer projects) a week. I love to craft and on January 1st I realized I hadn’t spent much time crafting during 2016. I was going to change that for this year and my goal is to finish up some crafting projects (Disney vacation album), try some new crafts (painting, Deco Mesh wreath making, and use the fabric I bought for projects but have been scared I’d mess up and waste the money I spent so I’m letting all my lovely fabric and patterns just hang out in my storage unit. No more! I realized it’s no more of a waste to not use the fabric and patterns as it is to make a mistake sewing the item (cute patterns for purses I really want to sew). The only way to get better at sewing is to sew.

Here are the projects I have completed so far:

CP 1 and 2 Megan's winter setWeek 1-2: A matching scarf and messy bun hat for my younger daughter. The messy bun hat I used a pattern, and the scarf I made using the double crochet stitch.

CP Week 3 Messy bun hat BrittanyWeek 3: A messy bun hat for my oldest. She saw a picture I posted of her sister’s hat on Facebook and wanted one. I used the same pattern as the one for her sister but this time I used the front and back post stitch for the brim.

CP Week 6 My ScarfWeek 4-6: I’ve been crocheting a little over a year and I hadn’t made myself anything yet. I crocheted blankets, mermaid tail blanket, scarfs, a cozy for a Beta fish tank, but nothing for me. I wanted to use a Caron Cake and on the sleeve of one of the Cakes was a pattern for this scarf. The completed scarf is 70 inches long so I broke it down into steps as I wouldn’t be able to complete it in one week. I love the fringe!

CP Week 7 Alex ScarfWeek 7: When I was crocheting my scarf, my favorite little guy saw it and asked if I’d make him a blue and green one. Of course! I used a scarf knitting loom, and stepped way out of my comfort zone by creating my pattern. I love how it turned out.

CP Week 8 Spring Deco WreathWeek 8: Deco Wreath. I’ve always wanted to make a Deco Mesh wreath and as this 2017 is my year of crafting I decided to give it a try. It also helped that the day I was at AC Moore the supplies for the wreaths were 50% 0ff. I like how the spring wreath turned out and I have supplies to make a Frozen inspired wreath.

CP Week 9 Mardi Gras Cricut CozyWeek 9: I’m donating a basket filled with goodies for a prize at the crop I’m attending and I sewed a Cricut dust cover to add to it. I went with a Mardi Gras theme as it matches the cover of my book Masked to Death as it’s also included in the basket. I’ve sewed some Cricut/Cameo dust covers before but this was the first time I sewed on an embellishment–sequined ribbon.

CP week 10Week 10: This week was a very crafty week for me. I attended a three-day scrapbook retreat so I completed some layouts, and the night before the crop I took a painting class with my oldest. We had a wonderful time and I’m hoping we can make time to go to another one. I dubbed my masterpiece Tinkerbell in Paris.

Books · Craft · mystery · Scrapbooking · Vacations · Writing

Masked to Death has left port

masked-to-death-cover-frontMasked to Death, the fifth book in the Faith Hunter Scrap This Mystery Series, is now out. I went on my first cruise at the end of 2010 and feel in love with this type of vacation. When part of the plot came to me, I started thinking about where to set the book and recalled that in book one, Cropped to Death, Ted mentioned that his mom worked on a cruise ship. My muse said, “Perfect.”, and the story developed from there.

Here’s a short description about Masked to Death:

A Caribbean cruise is the perfect setting for a Roget wedding, and Faith meeting Ted’s family. She also hopes the vacation gets their stalled romance moving, but it doesn’t take long for that dream to capsize. Ted’s daughter hates her. The ex-wife is adored. Odessa Roget is surly. And the banned father of a groom, John Roget, requests Faith’s assistance in bringing down a jewel theft ring masterminded by his ex-wife.

Having had a man she loved accuse her of a crime, Faith won’t let Odessa travel down the same path and agrees to help. Faith sets her course on uncovering the true criminals—which might be a groom’s best friend. The romantic week turns disastrous as a wedding is interrupted, suspicious deaths point to murders, and Ted’s daughter schemes to reunite her parents. Instead of diamonds being a girl’s best friend, Faith finds they’re cruising her toward Davy Jones’ Locker.

Over the next few weeks, you can find me (or Masked) visiting a few places in cyber world where I’ll be answering some questions, talking about creating a travel journal and a fictional cruise, and where some readers will let you  know a little bit more about Masked to Death. I hope you can stop by.

January 25 – Dru’s Book Musings – Guest Post, Vacation Time With Faith Hunter

January 27 – Bibliophile Reviews –  REVIEW, INTERVIEW

January 28 – Island Confidential – GUEST POST, Creating a Cruise 

January 29 – Brooke Blogs – INTERVIEW

January 30 – Valerie’s Musings – SPOTLIGHT

January 31 – Girl with Book Lungs – REVIEW

February 1 – A Blue Million Books – INTERVIEW

February 2 – Melina’s Book Blog – REVIEW, GUEST POST, Travel Journal

February 3 – A Chick Who Reads – REVIEW

February 4 – A Holland Reads – GUEST POST, Scrapbooking and Murder

February 5 – 3 Partners in Shopping, Nana, Mommy, &, Sissy Too! – Excerpt (shopping on a cruise) from Masked to Death

February 6 – Pulp and Mystery Shelf – INTERVIEW

February 7 – Laura’s Interests – REVIEW

Craft · How To · Uncategorized

Decorative Painting: Getting Started by Sybil Johnson

Decorative Painting: Getting Started

comepaintpost-sd-1Since my mystery series is set in the world of tole/decorative painting, I periodically get questions on what that is and how to get started. I’m not an expert, but I have been taking classes, attending conventions and working on projects for over two decades. Along the way, I’ve learned a thing or two.

So, what is tole/decorative painting? Basically, it’s decorating objects using paint, usually acrylic. DecoArt’s Come Paint With Us section of their website describes it as “…an easy-to-learn painting method where the painter traces a design outline onto a painting surface, then applies basic brushstrokes to give that surface decorative accents.”

You can paint on all kinds of surfaces. Wood is the most common, but I’ve painted on a myriad of surfaces including fabric, suede, window screening, paper, and tin. That last one is where “tole” comes from. The term tole painting is traditionally applied to the art of painting on tin but, when I started taking classes in the 90s, it was used in a broader sense to mean the decoration of objects on a variety of surfaces using painting strokes and techniques. These days the term decorative painting is more commonly used, though I tend to use them interchangeably.

So how do you get started?

I was lucky to know someone who knows the techniques of decorative painting well. She taught a group of us at work. We created all kinds of projects over the years. But, even if you can’t find a class nearby, you can still learn using online resources. The best introduction I’ve come across is DecoArt’s Come Paint With Us website section that I mentioned earlier. (http://decoart.com/comepaintwithus)

There you’ll find 3 beginning projects taught by Shara Reiner, Lynne Deptula and Judy Diephouse. You can download a pdf of the instructional booklet and view free videos of the three lessons. If you’re still not sure, you can always just watch the videos and see if it’s something you’d be interested in.

There are a lot of other painting resources on the web. I have a number of them on the links page of my website: http://www.authorsybiljohnson.com/links

I hope you found this useful. Power to the paintbrush!

 

Sybil Johnson wields pen and brush at her home in Southern California where she writes the Aurora Anderson Mystery Series (FATAL BRUSHSTROKE, PAINT THE TOWN DEAD and, soon, A PALETTE FOR MURDER) published by Henery Press. Learn more about her at http://www.authorsybiljohnson.com.

 

 

Craft · How To

Adventures in Trompe l’oeil, Part II by Sybil Johnson

Adventures in Trompe l’oeil, Part II

by Sybil Johnson

Here I am again, reporting on my trompe l’oeil adventure. It’s been a couple weeks and I’ve made some progress though not as much as I’d like.

Here’s a pointer to my first post, in case you missed it: https://theselfrescueprincess.wordpress.com/2016/07/14/adventures-in-trompe-loeil-part-i/. Go ahead, check it out, then come back. I’ll wait.

All caught up? Great! Let’s continue.

When I left you last, I was working on a table with a cherry pie painted on it. I’d gotten as far as staining the wood and painting the cloth underneath the pie. I was about to start on the pie.

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And this is where I was stalled for a short while. When I do a project, I like to use the colors suggested by the designer or, at least, something similar. That means I need to know approximately what a color looks like. Unfortunately, acrylic paint colors come and go so, when a design is several years old, some of the colors may have been discontinued. That’s the problem I ran into this time. This is where being a hoarder of paint color brochures comes in handy. I was able to figure out what the discontinued colors looked like and come up with substitutes based on color equivalency charts I’d picked up years ago.

Once that was straightened out, I turned to painting the cherry pie. Unfortunately, the instructions are not as detailed as I would like. That’s something to look for when you buy a pattern book or packet: check out the instructions to see if they are detailed enough for your skill level. Some designers assume more experience than others. Here is where the photos of the finished piece have come in handy. Studying them has helped me figure out the approach I should take.

Here’s where I am now:

JohnsonPt2Image2

I still have a long way to go. I need to work on shading on the pie itself and I need to strengthen the shadows on the cloth. I’m getting there, though. Right now I’m off to work on final edits to A PALETTE FOR MURDER, then I’ll get back to work on that pie. Until next time…

Sybil Johnson wields pen and brush at her home in Southern California where she writes the Aurora Anderson Mystery Series (FATAL BRUSHSTROKE, PAINT THE TOWN DEAD and, soon, A PALETTE FOR MURDER) published by Henery Press. Learn more about her at http://www.authorsybiljohnson.com.

Craft · How To

Adventures in Trompe l’oeil, Part I

Today on the Self-Rescue Princess, I’m having a guest blogger introduce you to the art of  in Trompe l’oeil.

by Sybil Johnson

The next book in my Aurora Anderson Mystery Series, A PALETTE FOR MURDER, features a trompe l’oeil (pronounced “Tromp Loy”) class. That means “trick the eye” or “fool the eye”. It’s any painting or design intended to create the illusion of a three-dimensional object.  Those clouds on ceilings in Vegas casinos and faux finishes such as marble and bricks fall into this category. To get a feel for what else can be done, here are some masterful 3-D illusions using chalk on pavement by various artists: ://www.boredphttpanda.com/5-most-talented-3d-sidewalk-chalk-artists/

Go ahead, check them out. I’ll wait.

Good, you’re back. Amazing, right? My favorite is Ice Age.

While working on PALETTE, I was reminded that I’d bought a pattern book and wood for a much simpler project, a cherry pie on a stool, years ago. Yep, years ago. I decided now was the time to work on this project. I thought I’d take you along on my journey into trompe l’oeil.

Here’s what I started with, a pattern/instruction book by Peggy Decker and an unpainted wood side table:

JohnsonImage1

I started by staining the wood. The instructions said to use Minwax Polyshades, Gloss Finish, in Pecan. It’s a polyurethane varnish with the stain in the product. I’d never used the product or even stained anything before, so I approached it with some trepidation. I pulled on my big girl pants and worked away. It took me all of 30 minutes to screw it up. Okay, it was a little longer than that, but not by much.

When the table dried, the top was a mess, not smooth at all. I thought I’d read the instructions carefully, but turns out I didn’t really. Luckily, wood is fairly forgiving so I stripped the top using Citristrip, sanded it a bit and I was good to go again. This time, I made sure I read and reread the instructions.

The next step was applying the pattern using graphite and basecoating with DecoArt White acrylic paint. I was a little worried about the acrylic painting adhering to the Polyshades, but it worked out okay. In between coats of white, I used a bit of paper torn from a brown paper bag to “sand”. Yep, a good old paper bag from the grocery store. It’s rough enough to smooth the paint a bit, but not so rough that it takes the paint off.

Here it is after this step:

JohnsonImage2

Next came a coating of light gray followed by the stripes on the cloth, painted in FolkArt Rose Chiffon. Liner work is not my favorite thing to do. I’ve seen brushes at conventions that have two brushes on one handle, that produce two parallel lines. I don’t have one of those, but I decided it wouldn’t be hard to make my own. I taped together two 10/0 liner brushes and voila! I have my own double brush.

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This is where I am so far on the project.

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Doesn’t look terribly exciting yet, I know. Projects never do at the beginning. Next time I’ll be working on the pie at the center of the design. Stay tuned.

 

Sybil Johnson wields pen and brush at her home in Southern California where she writes the Aurora Anderson Mystery Series (FATAL BRUSHSTROKE, PAINT THE TOWN DEAD and, soon, A PALETTE FOR MURDER) published by Henery Press.

Craft · How To

Adventures in Glass Beadmaking with Janice Peacock

Earlier this month I wrote about how I started making glass beads. If you missed that post, here’s a link: https://theselfrescueprincess.wordpress.com/2016/03/07/glass-bead-making-with-janice-peacock/

Today I want to write about the glass beads that I’ve been making in recent years, most of which look like small masks. If you’ve not watched the video on how to make a glass bead, here it is: link

When I make a glass bead, I melt long slender rods of colored glass in my torch, which runs on oxygen and propane and achieves temperatures in excess of 2000 degrees. Since I can’t touch the glass while it’s molten, I use tools to sculpt it in the flame. Many of the tool are things you’d find around your house (especially if you like scrapbooking): an Xacto knife, scissors, and tweezers. People often ask me if I get burned when I work in my studio making beads. Yes, I do, but usually those burns are mild—about what you’d expect if you touched a hot pan in the oven.

I’ve written and published two murder mysteries about a glass beadmaker named Jax O’Connell. The first is High Strung (Booktrope, 2015) and the second is A Bead in the Hand (Booktrope, 2015), both of which are available at all the major retailers. In the first book Jax becomes an amateur sleuth after she finds a dead body behind a bead store in Seattle.

J_Peacock_1 blog post 2Jax and I have some things in common—we are both glass beadmakers and are women of a certain age. But in most other ways we are different—for instance, Jax is fictional and I am not. Jax’s beads are made with bright colors and happy patterns. My beads, on the other hand, are fairly somber in color and look like they are old—like relics from an archeological dig or flotsam that has washed ashore. Jax is a relative newbie to the world of beads. Me? I’ve been creating lampworked beads for nearly 25 years.

In case you are curious: The word “lampworking” comes from a few hundred years ago when beadmakers didn’t have high tech torches and fuels like oxygen and propane. Instead, artisans used oil lamps and bellows to create flames that were hot enough to melt glass.

J_Peacock_3 blog post 2A lot of the beads I make look like small masks or stylized faces. I have several books about African masks that I like to look at for inspiration as well as a collection of masks from around the world. The faces I create are both human and animal forms. Typically, the eyes on the masks are closed. The closed eyes give these beads a peaceful feeling, and these days we can all use a little peace and tranquility in our lives.

I love making beads, and even though my time is now split between glass beadmaking and writing about a fictional glass beadmaker, I know that I’ll never give up the fun and excitement of lighting up my torch and melting glass.

You can see more of my glass work at http://www.janicepeacockglass.com and read about the books in the Glass Bead Mystery Series at http://www.janicepeacock.com.

Janice Peacock
Glass Artist and Author

J_Peacock_6 blog post 2

You can find me in all sorts of places on social media:
Facebook.com/JanicePeacockAuthor
Twitter, Instagram, Pinterest: JanPeac
Blog.janicepeacock.com